WESTERN ART GALLERIES DEFINITION
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The NMWA was established on June 10, 1959. The museum developed around the core art collection of Matsukata Kojiro (1865–1950), whose thinking is mirrored in the museum he anticipated.
Matsukata's acquisition strategies were designed to create the nucleus of what he hoped would become an evolving national museum specializing in Western art.
The museum exhibits works from the Renaissance to the early 20th century, many having been acquired since the museum's opening. The museum's purpose is to provide the public with opportunities to appreciate Western art.
Since its opening, the museum, as Japan's only national institution devoted to Western art, has been involved in exhibitions, art work and document acquisition, research, restoration and conservation, education and the publication of materials related to Western art.
The museum is involved in the development and organization of a special exhibition every year. These exhibitions feature works on loan from private collections and museums both in and out of Japan.[2] In 1963, NMWA created a splash on the international art scene by bringing together 450 works by the French-Russian artist Marc Chagall. The exhibition brought together Chagall's work from 15 countries, including 8 paintings lent from the Soviet Union; and it was believed to be the most comprehensive show mounted during the artist's lifetime.The museum was built to house the collection of works gathered by the industrialist Matsukata Kōjirō between 1920 and 1923. His collection had remained in England and France until after World War Two when the Japanese Government asked France for its return to Japan. After France stipulated that a French architect should design the museum that would house the collection, the works were returned to Japan. Le Corbusier was selected for this task."The modular, which Le Corbusier developed after many years of research, is like a musical scale which gives order to the infinitude of possible musical pitches. Based on the size and proportions of the human body, it is a means of fitting architecture to the human spirit, of ordering the infinitude of possible proportions in such a way as to make them conform to the human shape. In the new Museum of Western Art, the modulor system has been observed in everything from the structural members to the architectural details and furnishings."
- Tadayoshi, Fujiki, August 1959 "The Modular in the National Museum of Western Art" Japan Architect, p48
Le Corbusier designed a masterplan to include the area surrounding the museum. The design itself evolved into a building far exceeding the original brief and the library, a small lecture hall and a room for distinguished guests had to be removed. Nonetheless the removed elements were retained on the plans to provide guidance for future extension.
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