Photo Art Gallery

Photo Art Gallery Definition

Source link (google.com)

Fine art photography is photography created in accordance with the vision of the artist as photographer. Fine art photography stands in contrast to representational photography, such as photojournalism, which provides a documentary visual account of specific subjects and events, literally re-presenting objective reality rather than the subjective intent of the photographer; and commercial photography, the primary focus of which is to advertise products or services.An art exhibition is traditionally the space in which art objects (in the most general sense) meet an audience. The exhibit is universally understood to be for some temporary period unless, as is rarely true, it is stated to be a "permanent exhibition". In American English, they may be called "exhibit", "exposition" (the French word) or "show". In UK English, they are always called "exhibitions" or "shows", and an individual item in the show is an "exhibit".

Such expositions may present pictures, drawings, video, sound, installation, performance, interactive art, new media art or sculptures by individual artists, groups of artists or collections of a specific form of art.

The art works may be presented in museums, art halls, art clubs or private art galleries, or at some place the principal business of which is not the display or sale of art, such as a coffeehouse. An important distinction is noted between those exhibits where some or all of the works are for sale, normally in private art galleries, and those where they are not. Sometimes the event is organized on a specific occasion, like a birthday, anniversary or commemoration.There are different kinds of art exhibitions, in particular there is a distinction between commercial and non-commercial exhibitions. A commercial exhibition or trade fair is often referred to as an art fair that shows the work of artists or art dealers where participants generally have to pay a fee. A vanity gallery is and exhibition space of works in a gallery that charges the artist for use of the for space. Temporary museum exhibitions typically display items from the museum's own collection on a particular period, theme or topic, supplemented by loans from other collections, mostly those of other museums. They normally include no items for sale; they are distinguished from the museum's permanent displays, and most large museums set aside a space for temporary exhibitions. Exhibitions in commercial galleries are often entirely made up of items that are for sale, but may be supplemented by other items that are not. Typically, the visitor has to pay (extra on top of the basic museum entrance cost) to enter a museum exhibition, but not a commercial one in a gallery. Retrospectives look back over the work of a single artist; other common types are individual expositions or "solo shows", group expositions.

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Photo Art Gallery 

Fine Art Galleries Definition

source link (google.com)

Fine art, from the 17th century on, has meant art forms developed primarily for aesthetics, distinguishing them from applied arts that also have to serve some practical function. Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with minor arts including drama and dance.Today, the fine arts commonly include additional forms, including film, photography, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art and frequently the term fine arts (pl.) as well, are associated exclusively with visual art forms.[citation needed]

One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture." In that sense, there are conceptual differences between the Fine Arts and the Applied Arts. As originally conceived, and as understood for much of the modern era, the perception of aesthetic qualities required a refined judgement usually referred to as having good taste, which differentiated fine art from popular art and entertainment. However in the Postmodern era, the value of good taste is disappearing, to the point that having bad taste has become synonymous with being avant-garde.

The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline.[citation needed] This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The visual arts has been described as a more inclusive and descriptive phrase for current art practice. Also, today there is an escalation of media in which high art is more recognized to occur.[citation needed]According to some writers the concept of a distinct category of fine art is an invention of the Early Modern period in the West. Larry Shiner in his The Invention of Art: A Cultural History (2003) locates the invention in the 18th century: "There was a traditional “system of the arts” in the West before the eighteenth century. (Other traditional cultures still have a similar system.) In that system, an artist or artisan was a skilled maker or practitioner, a work of art was the useful product of skilled work, and the appreciation of the arts was integrally connected with their role in the rest of life. “Art,” in other words, meant approximately the same thing as the Greek word techne, or in English “skill”, a sense that has survived in phrases like “the art of war,” “the art of love,” and “the art of medicine.” Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton (e.g. The Ideology of the Aesthetic), though the point of invention is often placed earlier, in the Italian Renaissance.

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries

Fine Art Galleries Definition

Chelsea Art Galleries

Chelsea Art Galleries Definition

Source link (google.com)

Chelsea is a neighborhood on the West Side of the borough of Manhattan in New York City. The district's boundaries are roughly 14th Street to the south, 30th Street to the north, the western boundary of the Ladies' Mile Historic District – which lies between the Avenue of the Americas (Sixth Avenue) and Seventh Avenue – to the east, and the Hudson River and West Street to the west. To the north of Chelsea is the neighborhood of Hell's Kitchen, also known as "Clinton," to the northeast is the Garment District, to the east are NoMad and the Flatiron District, to the southwest is the Meatpacking District and to the southeast is the West Village.Chelsea is divided between Manhattan Community Board 4 and Manhattan Community Board 5. It contains the Chelsea Historic District and its extension, which were designated by the New York City Landmarks Preservation Commission in 1970 and 1981, respectively,[4] and added to the National Register of Historic Places in 1977, expanded in 1982 to include contiguous blocks containing particularly significant examples of period architecture.The neighborhood is primarily residential, with a mix of tenements, apartment blocks, city housing projects, townhouses and renovated rowhouses, and its many retail businesses reflect the ethnic and social diversity of the population. The western part of Chelsea has become a center of the New York art world, with many art galleries located in both new buildings and rehabilitated warehouses.Chelsea takes its name from the estate and Georgian-style house of retired British Major Thomas Clarke, who obtained the property when he bought the farm of Jacob Somerindyck on August 16, 1750. The land was bounded by what would become 21st and 24th Streets, from the Hudson River to Eighth Avenue.[5] Clarke chose the name "Chelsea" after the manor of Chelsea, London, home to Sir Thomas More. Clarke passed the estate on to his daughter, Charity, who, with her husband Benjamin Moore, added land on the south of the estate, extending it to 19th Street.[5] The house was the birthplace of their son, Clement Clarke Moore, who in turn inherited the property. Moore is generally credited with writing "A Visit From St. Nicholas" and was the author of the first Greek and Hebrew lexicons printed in the United States.In 1827, Moore gave the land of his apple orchard to the Episcopal Diocese of New York for the General Theological Seminary, which built its brownstone Gothic, tree-shaded campus south of the manor house. Despite his objections to the Commissioner's Plan of 1811, which ran the new Ninth Avenue through the middle of his estate, Moore began the development of Chelsea with the help of James N. Wells, dividing it up into lots along Ninth Avenue and selling them to well-heeled New Yorkers.[6] Covenants in the deeds of sale specified what could be built on the land – stables, manufacturing and commercial uses were forbidden – as well as architectural details of the buildings.

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Chelsea Art Galleries

Fine Art Gallery

Fine Art Gallery Definition

source link (google.com)

Fine Art Enterprises is an American company that runs Fine Art Gallery in Soquel, California , the largest such gallery in the Monterey ...The Whitfield Fine Art Gallery is an art gallery in Mayfair , London , owned and founded by Clovis Whitfield in 1979. The gallery ...Fine art, from the 17th century on, has meant art forms developed primarily for aesthetics, distinguishing them from applied arts that also have to serve some practical function. Historically, the five main fine arts were painting, sculpture, architecture, music and poetry, with minor arts including drama and dance.[1] Today, the fine arts commonly include additional forms, including film, photography, conceptual art, and printmaking. However, in some institutes of learning or in museums, fine art and frequently the term fine arts (pl.) as well, are associated exclusively with visual art forms.[citation needed]One definition of fine art is "a visual art considered to have been created primarily for aesthetic and intellectual purposes and judged for its beauty and meaningfulness, specifically, painting, sculpture, drawing, watercolor, graphics, and architecture."[2] In that sense, there are conceptual differences between the Fine Arts and the Applied Arts. As originally conceived, and as understood for much of the modern era, the perception of aesthetic qualities required a refined judgement usually referred to as having good taste, which differentiated fine art from popular art and entertainment.[3] However in the Postmodern era, the value of good taste is disappearing, to the point that having bad taste has become synonymous with being avant-garde.[4]The word "fine" does not so much denote the quality of the artwork in question, but the purity of the discipline.[citation needed] This definition tends to exclude visual art forms that could be considered craftwork or applied art, such as textiles. The visual arts has been described as a more inclusive and descriptive phrase for current art practice. Also, today there is an escalation of media in which high art is more recognized to occur.According to some writers the concept of a distinct category of fine art is an invention of the Early Modern period in the West. Larry Shiner in his The Invention of Art: A Cultural History (2003) locates the invention in the 18th century: "There was a traditional “system of the arts” in the West before the eighteenth century. (Other traditional cultures still have a similar system.) In that system, an artist or artisan was a skilled maker or practitioner, a work of art was the useful product of skilled work, and the appreciation of the arts was integrally connected with their role in the rest of life. “Art,” in other words, meant approximately the same thing as the Greek word techne, or in English “skill”, a sense that has survived in phrases like “the art of war,” “the art of love,” and “the art of medicine.”[5] Similar ideas have been expressed by Paul Oskar Kristeller, Pierre Bourdieu, and Terry Eagleton (e.g. The Ideology of the Aesthetic), though the point of invention is often placed earlier, in the Italian Renaissance.

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Fine Art Gallery

Art Gallery Online

Art Gallery Online Definition

Source link (google.com)

The term is used for both public galleries, which are non-profit or publicly owned museums that display selected collections of art. On the other hand private galleries refers to the commercial enterprises for the sale of art. However, both types of gallery may host traveling exhibits or temporary exhibitions including art borrowed from elsewhere.In broad terms, in North American usage the word gallery alone often implies a private gallery, while a public gallery is more likely to be described as an art museum. In British and Commonwealth usage, the word gallery alone implies a public gallery, while a private or commercial gallery will be distinguished using those terms, and the word museum alone is generally understood to refer to institutions holding collections of historic, archaeological or scientific artefacts, rather than of fine art.he rooms in museums where art is displayed for the public are often referred to as galleries as well.The term contemporary art gallery refers usually to a privately owned for-profit commercial gallery. These galleries are often found clustered together in large urban centers. Smaller cities are usually home to at least one gallery, but they may also be found in towns or villages, and remote areas where artists congregate, e.g. the Taos art colony and St Ives, Cornwall.Contemporary art galleries are usually open to the general public without charge; however, some are semi-private. They usually profit by taking a portion of art sales; from 25% to 50% is typical. There are also many non-profit or collective galleries. Some galleries in cities like Tokyo charge the artists a flat rate per day, though this is considered distasteful in some international art markets. Galleries often hang solo shows. Curators often create group shows that say something about a certain theme, trend in art, or group of associated artists. Galleries sometimes choose to represent artists exclusively, giving them the opportunity to show regularly.A gallery's definition can also include the artist cooperative or artist-run space, which often (in North America and Western Europe) operates as a space with a more democratic mission and selection process. Such galleries typically have a board of directors and a volunteer or paid support staff that select and curate shows by committee, or some kind of similar process to choose art that typically lacks commercial ends.Apart from public art, designed from the start for public display, large and expensive works of art have generally been commissioned by religious institutions, who normally have wanted these to be on display in temples or churches, rulers, the social elite, or civic bodies. Much art in private ownership has long been available for viewing by some portion of the public. In classical times religious institutions began to include a function as art galleries, with Roman collectors of engraved gems (including Julius Caesar) and other objects donating their collections to temples; how easy it was to get to view these small items is rather unclear. In Europe, from the late medieval period onwards, many areas of royal palaces, castles and the houses of the social elite were often generally accessible, and large parts of the art collections of such people could often be seen, either by anybody, or by those able to pay a small price, or those wearing the correct clothes, regardless of who they were, as at the Palace of Versailles, where the appropriate extra accessories (silver shoe buckles and a sword) could be hired from shops outside. The treasuries of cathedrals and large churches, or parts of them, were often set out out for public display. Many of the grander English country houses could be toured by the respectable for a tip to the housekeeper, during the long periods when the family were not in residence.

Art Gallery Online 

Art Gallery Online 

Art Gallery Online 

Art Gallery Online 

Art Gallery Online 

Art Gallery Online 

Art Gallery Online 

Art Gallery Online

                                                        Art Gallery Online

Art Gallery Online 

Art Gallery Online